(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

23 Duos for Viola and Cello by Béla Bartók. Edited by Peter Bartók. Misc. 32 pages. Hal Leonard #BR707. Published by Hal Leonard

Composed by Béla Bartók. Boosey & Hawkes Chamber Music. Softcover with CD. 80 pages. Boosey & Hawkes #M060132216. Published by Boosey & Hawkes

A Four-Book Series Organized by Difficulty Level. Composed by Various. Piano. Classical. Softcover. 32 pages. Published by Hal Leonard

Book and CD. Composed by Bela Bartok (1881-1945). Boosey & Hawkes Chamber Music. Classical, Hungarian. Softcover with CD. 40 pages. Boosey & Hawkes #M060132421. Published by Boosey & Hawkes

Composed by Béla Bartók. Boosey & Hawkes Chamber Music. Softcover with CD. 72 pages. Boosey & Hawkes #M060132223. Published by Boosey & Hawkes

Composed by Béla Bartók. Boosey & Hawkes Chamber Music. Softcover with CD. 80 pages. Boosey & Hawkes #M060131974. Published by Boosey & Hawkes

A Four-Book Series Organized by Difficulty Level. Composed by Various. Piano. Classical. Softcover. Published by Hal Leonard

SMA Choir

SKU: BT.EMBZ15091

Gyermekkarra, Jász Attila verseire. Composed by Ákos Zarándy. Hymns & Chorals. Choral Score. Composed 2018. 12 pages. Editio Musica Budapest #EMBZ15091. Published by Editio Musica Budapest (BT.EMBZ15091).

Commisioned by the municipality of Debrecen.Ákos Zarándy was born in 1982, Budapest. He finished his studies in choir-conducting and in composition under János Vajda and Zoltán Jeney at the Franz Liszt Academy of Music. In 2009, the first parts of his first opera entitled Las dos Fridas were performed in his diploma concert. In 2011, his symphonic piece entitled Nightmare Symphony was selected and performed within the frame of UMZF, the most important Hungarian composition competition. In 2011, he was among the winners of the one-act opera competition of the National Cultural Fund in Hungary. In 2014 and 2016 he received the Kodály Composer Grant. Zarándy has regularlyparticipated in contemporary music festivals in Hungary (Music of Our Age, Budapest Autumn Festival, Con Spirito, Béla Bartók International Choir Competition, International Bartók Seminar and Festival) and also in abroad (Gaudeamus Music Week, Ostrava Days). Many of his pieces have been performed in Austria, the Czech Republic, Finland, France, Germany, Italy, Poland, Romania, Serbia, Sweden, Turkey, the United States and Mexico.

44 Duets for Two Violas - Volume 1 by Béla Bartók. Viola. Boosey and Hawkes Chamber Music. Book only. 22 pages. Boosey and Hawkes #UE30203. Published by Boosey and Hawkes

(From the 44 Violin Duets). Composed by Béla Bartók. EMB. Softcover. 56 pages. Editio Musica Budapest #Z14970. Published by Editio Musica Budapest

Female choir - Grade 5

SKU: BT.EMBZ14916

Composed by Bánk Sáry. Vocal Score. Composed 2014. 12 pages. Editio Musica Budapest #EMBZ14916. Published by Editio Musica Budapest (BT.EMBZ14916).

Latin.

Bánk Sáry composed his choral work Blue Sky for female voices commissioned by the town of Debrecen for the Béla Bartók 26th International Choir Competition in 2014. The composer says about his work: I have used extracts of poems in Miklós Zr nyi's manuscript The Valiant Lieutenant. The choir sings the initial sentence in Latin in unison, then the music gradually becomes polyphonic before a playful, rhythmical passage takes its place in the middle of the piece. At the end of the almost five minute movement the beautiful text is sung by the choir in a homophonic chord progression..

(Piano Solo). Composed by B�©la Bart�³k. Edited by L�¡szl�³ Somfai. For Piano (Piano). Henle Music Folios. Softcover. G. Henle #HN1400. Published by G. Henle

Piano

SKU: BT.ESZ-01494800

Composed by Sandor Veress. Score Only. Edizioni Suvini Zerboni #ESZ 01494800. Published by Edizioni Suvini Zerboni (BT.ESZ-01494800).

With his Venti pezzi per pianoforte (1938), the Hungarian composer Sándor Veress (1907-92) wanted to create a collection of piano miniatures on folk melodies destined for use in the concert hall as well as for teaching purposes. Each piece is based on one or more songs and dances from different Hungarian speaking areas, which are re-elaborated and presented in a carefully conceived alternation of character, musical writing and technical difficulty. The result is a multi-colored overview of Hungarian folk music: songs of a pathetic or even dramatic nature are contrasted with lighter and high-spirited pieces, interspersed with dances of varying types, among which a homogeneousblock stands out formed by the group of Csárdás, a typical tavern dance also used by Liszt. The Venti pezzi per pianoforte represent the culmination of the extensive ethnomusicological research made by Veress in the ’30s and ‘40s, while working as assistant to László Lajtha and to Béla Bartók, and at the same time carrying out field work in Hungary and neighboring countries. The composer intended that this collection should play a fundamental role of mediation between folklore and western “art” music, by revitalizing the language from within, without resorting to the abstractions of the experimentation being developed in Europe at the time. During his lifetime Veress never succeeded in publishing the complete version of the Venti pezzi per pianoforte, but issued various selections of the pieces, two of which remained totally unpublished. The present critical edition prepared by Giada Viviani reconstructs the complete text of the Venti pezzi per pianoforte on the basis of manuscript sources kept at the Paul Sacher Foundation in Basel: the musical scores, with fingering by Jakub Tchorzewski, are accompanied by an introductory essay on the context in which the collection was created, including a description of the state of the sources and a detailed apparatus criticus of the textual variants.

Con i suoi Venti pezzi per pianoforte (1938), il compositore ungherese Sándor Veress (1907-92) ha voluto creare una raccolta di miniature pianistiche su melodie popolari destinate sia a un uso concertistico, sia all’attivit didattica. In ogni branovengono rielaborati uno o più canti e danze provenienti da diverse aree geografiche di lingua ungherese, che si susseguono in base a una sapiente alternanza di carattere, scrittura musicale, difficolt esecutiva. Viene così offerta una variegatapanoramica della musica popolare di questa nazionalit : a canti di contenuto patetico o addirittura drammatico se ne affiancano di più leggeri e giocosi, avvicendandosi a danze di natura differente, tra cui spicca come un blocco omogeneo il gruppodelle Csárdás, tipica danza da locanda utilizzata anche da Liszt.I Venti pezzi per pianoforte rappresentano il coronamento della ricca attivit etnomusicologica condotta da Veress tra gli anni ’30 e ‘40, sia lavorando come assistente di László Lajtha e di Béla Bartók, sia svolgendo ricerca sul campo in Ungheria enei paesi limitrofi. Per il compositore, questa raccolta doveva svolgere un fondamentale ruolo di mediazione tra il folklore e la musica “colta” occidentale, in maniera da rivitalizzarne il linguaggio dall’interno, senza gli astrattismi dellesperimentazioni allora condotte in Europa.Nel corso della sua vita Veress non riuscì mai a pubblicare la versione integrale dei Venti pezzi per pianoforte, mentre ne fece uscire sul mercato alcune selezioni, lasciando del tutto inediti due brani. La presente edizione critica a cura di GiadaViviani ricostruisce il testo completo dei Venti pezzi per pianoforte in base alle fonti manoscritte conservate presso la Fondazione Paul Sacher di Basilea: gli spartiti musicali, corredati dalla diteggiatura di Jakub Tchorzewski, sono accompagnatida un saggio introduttivo sul contesto di creazione della raccolta, dalla descrizione dello stato delle fonti e da un dettagliato apparato critico delle varianti testuali.

(The Nine Enchanted Stags Double Choruses, Tenor Solo, Baritone Solo, and Orchestra Hardbound Score). Composed by Bela Bartok (1881-1945). Edited by Peter Bartók. For Orchestra (Study Score). Score. Hardcover. 114 pages. Hal Leonard #BR620. Published by Hal Leonard

Study Guide for Preparation, Practice and Performance. Composed by Ingrid Jacobson Clarfield and Phyllis Alpert Lehrer. Book; Graded Standard Repertoire; Masterworks; Piano Collection. Classics for the Developing Pianist. Masterwork. 48 pages. Published by Alfred Music

Arabian, Hungarian, Romanian, Ruthenian, Serbian, and Slovak Melodies. Composed by Vera Lampert. Book. Hardcover. Henle Music Folios. With CD (MP3 files) of all available original phonograph recordings by Bela Bartok. Classical Reference, Folk Reference, Music Appreciation. Book (hardcover). 242 pages. G. Henle #HN2617. Published by G. Henle

Bartok Suite (from For Children) by Béla Bartók. Arranged by Larry Clark. Concert Band. Concert Band; Masterworks. Belwin Beginning Band. 20th Century; Masterwork Arrangement. Grade 1. Conductor Score. 36 pages. Published by Belwin Publishing

By Béla Bartók. Edited by Peter Bartók. Misc. Softcover. 16 pages. Hal Leonard #BR701. Published by Hal Leonard

By Béla Bartók. Edited by Peter Bartók. Misc. Book only. 120 pages. Hal Leonard #BR708. Published by Hal Leonard

Composed by B�©la Bart�³k. Arranged by Jack Bullock. Orchestra. Masterworks; SmartMusic; String Orchestra. Belwin Beginning String Orchestra. 20th Century; Masterwork Arrangement. Grade 1. Conductor Score and Parts. 32 pages. Duration 1:11. Published by Belwin Music

Choral (SSATB)

SKU: HL.50605353

Mixed Voices SSATB. Composed by Dá and niel Dobos. EMB. Classical, General Worship, Sacred. Softcover. 24 pages. Editio Musica Budapest #Z15140. Published by Editio Musica Budapest (HL.50605353).

ISBN 9781705180310. UPC: 196288106210.

Dá niel Dobos (* 1994) studied with Gyula Fekete and Máté Bella at the Department of Composition of the Liszt Ferenc Academy of Music. In his violin concerto Sylvanus, he uses the technical repertoire of Transylvanian folk violinists. His piano piece, Drumul dracului, which won the first prize in 2018 at the Béla Bartók World Competition, also focuses on a new interpretation of Transylvanian folk music roots. In Callis stellarum, Dobos set one of the apocalyptic visions by the prophet Isaiah: “For the stars of heaven and the constellations thereof shall not give their light: the sun shall be darkened in his going forth, and the moon shall not cause her light to shine.” At the end of the composition, the Hungarian folk song “Csillagok, csillagok” (Stars and Stars) is heard as a kind of hopeful association. Commissioned by the municipality of Debrecen, this piece won the first prize in the youth mixed choir category of the HangKELTO Youth Composition Competition held in 2021.